This multi award winning documentary, made when Shane Salerno was still in high school, was featured on every major talk show including "Larry King Live," "Donahue" and "Oprah."

Martín Garabal is the best employee of Garabal and sons, his father's real state agency. Leonardo envies him deeply, Tomás admires him and Eva loves him. But something is wrong, the world seems to be telling Martín that he should take a different path. Martín doesn't listen because he's worried about his dad but, where is he?

In 1970, Mikey and William both portrayed football cannibal Smash-Mouth in the influential cult hit, End Zone 2. Now, 50 years later, only one can wear the mask.

In 1970, Mikey and William both portrayed football cannibal Smash-Mouth in the influential cult hit, End Zone 2. Now, 50 years later, only one can wear the mask.

Jordy wants to use his precious robots for scientific pursuits, while his employers have other plans for them.

A man and a woman find their orbits repeatedly colliding over the course of 12 years, four planets, three dimensions and one space cult.

A young handyman and his wife move to a small village and set up business. There, the handyman encounters numerous strange characters, including a local constable more inept than a squad car full of Keystone Kops; an elderly magistrate whose primary passion is spanking young women; a schoolmistress with a closetful of kinks; and more predatory housewives than the young man can handle.

Stitch discovers Jumba’s secret computer that reveals what creatures Jumba had used to create Stitch, and also hints at his other 625 experiments. Stitch is scared to find out what a monster he is, only for Jumba to come and explain how he found love when he met Lilo.

Spica Virgo is an apprentice witch, but can’t use any magic. She needs someone to be her master in order to get into the academy of her dreams, but she has no money and no connections. Suddenly, a mysterious talking black cat that can use magic appears before her!! Spica wants to learn magic, and the black cat wants his curse broken—goals on the same path. Therefore, a secret master-apprentice relationship was born! But the key to breaking the curse is kissing his…?!

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.